Все музыканты // Кагель, Маурисио - Каталог произведений

23 января 2011


Оглавление:
1. Кагель, Маурисио
2. Каталог произведений
3. Фильмография



1950

- Palimpsestos for mixed choir a capella

1952

- Two Pieces for Orchestra

- Variations for mixed quartet

1953

- Sextet; revised 1957 as String Sextet

1954

- Música para la torre; in four parts: 1) For Orchestra, 2) Study for Percussion, 3) Ostinato for Chamber Ensemble, 4) ensayo de música concreta

- Muertos de Buenos Aires, music for the film of the same title by Alejandro Sanderman

- Cinco cantos de Génesis for voice and piano

- Four Pieces for piano

1955

- Drei Klangstudien


1956

- De ruina mundis: Cantata for voice and instruments

- Aforismos de Apollinaire for clarinet and piano

- Prelude No. 1 for bandoneon

1958

- Anagrama for vocal soloists, speaking choir and chamber ensemble

1959

- Transición II for piano, percussion and two tape recorders

1960

- Transición I for electronic sounds

- Sur scène: Chamber music theatre piece

- Sonant for guitar, double bass, harp, and skin instruments

- Pandorasbox for bandoneon

- Journal de théâtre: Collection of situations for instruments, actors and props; later to comprise ‘Pas de cinq’, ‘Camera oscura’, ‘Die Himmelsmechanik’, ‘Variaktionen’ and ‘Kommentar und Extempore’

- Le Bruit: Invection pour toute sorte de sources sonores et expressions injurieuses

1961

- Mimetics for piano; a) for solo piano, b) interrupted by other compositions, c) as Metapiece, simultaneous with other compositions by Kagel or other composers

- Heterophonie for orchestra

1962

- Improvisation ajoutée for organ; rev. 1968

- Antithese; a) Music for electronic and public sounds; b) Play for one actor with electronic and public sounds

1964

- Phonophonie: Four melodramas for two voices and other sound sources; rev. 1965; radiophonic version 1965

- Die Frauen: Theatrical piece for ladies for voices and instruments

- Prima vista for slide pictures and indeterminate number of sound sources

- Diaphonie Nos 1–3 for choir and/or orchestra and slide projectors

- Match for three players

- Composition und Decomposition: A reading piece

1965

- Tremens; a) Scenic montage of a test for two actors, electric instruments, percussion, tapes and slide projection; b) Variaktionen über Tremens: Scenic montage of a test for two actors, tapes and slide projection; c) Musik aus Tremens

- ‘Pas de cinq’: Walking scene for five actors; part of Journal de théâtre

- ‘Die Himmelsmechanik’: Composition with stage décors; part of Journal de théâtre

- ‘Camera oscura’: Chromatic play for light sources and actors; part of Journal de théâtre

- Mirum for tuba

1966

- Music for renaissance instruments for 23 players; alt. Chamber Music for Renaissance Instruments for 2–22 players

1967

- String Quartet I/II

- ‘Kommentar und Extempore’: Monologues with gestures; part of Journal de théâtre

- ‘Variaktionen’ for singers and actors; part of Journal de théâtre

- Fantasy for organ with obbligati

- Montage for various sound sources; Montage à titre de spectacle

1968

- Hallelujah for voices

- Der Schall for five players

- Privat for lonely listener

- Ornithologica multiplicata for exotic and indigenous birds

1969

- Synchronstudie for singer, Foley artists and film projection

- Unter Strom for three players

- Ein Aufnahmezustand A State of Recording’)

1970

- Ludwig van: Homage by Beethoven

- Acustica: Music for experimental sound producers, loudspeakers and two to five players

- Klangwehr for marching music corps

- Tactil for three

- Atem for one wind player

- Staatstheater: Scenic composition; constituents:

- ‘Répertoire’: Theatrical concert piece

- ‘Einspielungen’: Music for loudspeakers

- ‘Ensemble’ for 16 voices

- ‘Debüt’ for 60 voices

- ‘Saison’: Singspiel in 65 scenes

- ‘Spielplan’: Instrumental music in action

- ‘Kontra ® Danse’: Ballet for non-dancers

- ‘Freifahrt’: Gliding chamber music

- ‘Parkett’: Concert mass scenes

1971

- Ein Aufnahmezustand

- Probe for an improvised collective; radiophonic version 1972

- Morceau de concours for one or two trumpeters; rev. 1992

- Guten Morgen!: radio play consisting of advertisements

1972

- Programm: conversations with chamber music; sections:

- ‘Abend’ for vocal double quartet, trombone quintet, electric organ and piano

- ‘Aus Zungen Stimmen’ for accordion quintet

- ‘Charakterstück’ for zither quartet

- ‘Gegenstimmen’ for mixed choir and obligatory harpsichord

- ‘General Baβ’ for continuing instrumental sounds

- ‘Die Mutation’ for men’s voices and obligatory piano

- ‘Musi’ for plucking orchestra

- ‘Recitativarie’ for singing harpsichordist

- ‘Siegfriedp’’ for violoncello

- ‘Unguis incarnatus est’ for piano and...

- ‘Vom Hörensagen’ for women’s choir and obligatory harmonium

- Exotica for extra-European instruments

- Con Voce for three mute players

- Variationen ohne Fuge for large orchestra on Variations and Fugue on a Theme by Handel for piano Op. 24 by Johannes Brahms

1973

- 1898 for children’s voices and instruments; rev. 1996

- Zwei-Mann-Orchester for two one-man-orchestras

1975

- Soundtrack: A filmic radio play

- Mare nostrum: Discovery, pacification and conversion of the Mediterranean region by a tribe from Amazonia

- Kantrimiusik: Pastoral for voices and instruments

1976

- Bestiarium: Acoustic fables on two stages

- Zählen und Erzählen for non-grownups

- Die Umkehrung Amerikas: Epic radio play

- MM 51: A piece of film music for piano

1977

- An Tasten: Piano etude

- Quatre degrés; sections:

- ‘Dressur’: Percussion trio for wooden instruments

- ‘Présentation’ for two

- ‘Déménagement’: Silent play for stage workers

- ‘Variété’: Concert show for artistes and musicians

1978

- Tango alemán for voice, violin, bandoneon, and piano

- Ex-Position; constituents:

- ‘Die Rhythmusmaschinen’: Action for gymnasts, drum machines, and percussionists

- ‘Chorbuch’ for vocal ensemble and keyboard instruments

- ‘Zehn Märsche, um den Sieg zu verfehlen’ for winds and percussion; from Der Tribun

- Die Erschöpfung der Welt: Theatrical illusion in one act

1979

- Blue’s Blue: An ethnomusicological reconstruction for four players

- Klangwölfe for violin and piano

- Der Tribun: Radio play for a political orator, marching sounds and loudspeakers

- Vox Humana? Cantata for solo loudspeaker, women’s voices and orchestra

- Aus Deutschland: lieder opera

1981

- Mitternachtsstük for voices and instruments on fragments from the diaries of Robert Schumann; fourth movement added in 1986

- Finale with chamber ensemble

1982

- Rrrrrrr...

- a) A radio fantasy:

- 11 pieces for winds, double basses and percussion: ‘Raccontando’, ‘Rauschpfeifen’, ‘Rejdovák’, ‘Register’, ‘Réjouissance’, ‘Reprisen’, ‘Reveille/Retraite’, ‘Rhapsodie’, ‘Rheinländer’, ‘Ritornell 1’, ‘Ritornell 2’

- Seven pieces for mixed choir: ‘Rrrrrrr...’, ‘Requiem’, ‘Resurrexit dominus’, ‘Rêverie’, ‘Rex tremendae’, ‘Romance’, ‘Ring Shouts’

- Eight pieces for organ: ‘Râga’, ‘Rauschpfeifen’, ‘Repercussa’, ‘Ragtime-Waltz’, ‘Rondeña’, ‘Ripieno’, ‘Rosalie’, ‘Rossignols enrhumés

- Six pieces for two percussionists: ‘Railroad Drama’, ‘Ranz des vaches’, ‘Rigaudon’, ‘Rim Shots & Co.’, ‘Ruf’, ‘Rutscher’

- Four pieces for solo voice with piano accompaniment: ‘Railroad Song’, ‘Rappresentatione sacra’, ‘Revolution Speech’, ‘Rural Blue’

- Five pieces for jazz ensemble: ‘Rackett’, ‘Rrrrrrre-bop’, ‘Reeds’, ‘Rhythm-Bone & Brush’, ‘Riff’

- b) Radio play on ‘A radio fantasy’ for one speaker

- Fürst Igor, Strawinsky for bass voice and instruments

- Fragen: Hörspot

- Szenario for strings and tape

1983

- Intermezzo for voices and chamber ensemble

- La trahison orale: A musical epic on the devil; radiophonic version 1987

- Two Ballads by Guillaume de Machaut; instrumental realization by Mauricio Kagel

1984

- Der Eid des Hippokrates for piano three-hands

- ...nach einer Lektüre von Orwell: Radio play in Germanic meta-language

1985

- Pan for piccolo and string quartet

- Saint Bach’s Passion for solo voices, choirs and large orchestra

- Cäcilia: Ausgeplündert, ein Besuch bei der Heiligen; Radio play

- Trio in Three Movements for violin, violoncello and piano

- Mio caro Luciano: Tape collage

1986

- Aus dem Nachlaβ: Pieces for viola, violoncello, and double bass

- Ein Brief: Concert scene for mezzo and orchestra

- Old/New: Study for solo trumpet

1987

- Ce-A-Ge-E for piano and harmonizer

- For Us: ‘Happy Birthday to You’; a) for four violoncellos; b) arranged for picc, cl, vla, db, mandoline, gt, hp, perc

- Third String Quartet in four movements

- Tantz-Schul: Ballet d’action; also version as Suite for Orchestra

1988

- Quodlibet for female voice and orchestra on French chanson lyrics from the fifteenth century

1989

- Music for keyboard instruments and orchestra

- Phantasiestück; a) for flute and piano; b) for flute and piano with accompaniment

- ‘Osten’; from Die Stücke der Windrose for salon orchestra

- ‘Süden’; from Die Stücke der Windrose for salon orchestra

- Fragende Ode for double choir, brass and percussion

- Zwei Akte; a) Grand Duo for saxophone and harp; b) for two actors, saxophone and harp

- Les idées fixes: Rondo for orchestra

1990

- Liturgien for solo voices, double choir, and large orchestra

- ‘Nordosten’; from: Die Stücke der Windrose for salon orchestra

- Opus 1.991: Concert piece for orchestra

1991

- “...den 24. xii. 1931”: Garbled news for baritone and instruments

- ‘Nordwesten’; from: Die Stücke der Windrose for salon orchestra

- ‘Südosten’; from: Die Stücke der Windrose for salon orchestra

1992

- Konzertstück for tympani and orchestra

- Etude No. 1 for large orchestra

1993

- Passé composé: KlavieRhapsodie

- Episoden, Figuren: Solo for accordion

- Fanfanfaren for four trumpets

- Melodien for carillon

- Fourth string quartet in three movements

- ‘Südwesten’; from: Die Stücke der Windrose for salon orchestra

1994

- Nah und Fern: Acoustic listening piece for bells and trumpets with background

- ‘Westen’; from: Die Stücke der Windrose for salon orchestra

- ‘Norden’; from: Die Stücke der Windrose for salon orchestra

- Interview avec D. pour Monsieur Croche et orchestre; texts by Claude Debussy

1995

- Serenade for three players

- Schattenklänge: Three pieces for bass clarinet

- L’art bruit: Solo for two

- À deux mains: Impromptu for piano

1996

- Etudes Nos 2–3 for large orchestra

- Orchestrion-Straat for chamber ensemble

- Auftakte, sechshändig for piano and two percussionists; version for two pianos and two percussionists: Auftakte, achthändig

- Eine Brise: Fleeting action for 111 cyclists. Musically enriched sport event in the open

1997

- Ragtime à trois for violin, violoncello and piano

- Playback Play: News from the music fair; radio play

- Orgelmusik zu vier Händen

1998

- Duodramen for voices and orchestra

- Impromptu No. 2 for piano

1999

- Semikolon: Action with bass drum

- Schwarzes Madrigal for voices and instruments

- Entführung im Konzertsaal: Musical report of an incident

2000

- Burleske for baritone saxophone and choir

2001

- Quirinus’ Liebeskuss for vocal ensemble and instruments

- Broken Chords for large orchestra

- Second Trio in One Movement for violin, violoncello and piano

- Double Sextet for ensemble

2002

- Das Konzert for solo flute, harp, percussion and strings

- Der Turm zu Babel: Melodies for solo voice

2003

- Andere Gesänge: Intermezzi for soprano et pour l’orchestre

2004

- Magic Flutes: Perpetual Canon Interrupted for 12

- Vorzeitiger Schluβverkauf: Unvollendete Memoiren eines Toningenieurs; radio play

- Motettes, for eight celli

2005

- Fremde Töne und Widerhall for orchestra

- Capriccio for two pianos

- Five Vocalises, for a Countertenor

2006

- Les Inventions d’Adolphe Sax for saxophone quartet and chamber choir

- Divertimento? Farce for ensemble

- Fifth String Quartet, in two movements

2007

- Verborgene Reime, for Choir and percussion

- Third Trio, in two movements for violin, cello and piano

–Quasi niente for closed mouths

–Erratische Blöcke, radio piece from acoustic images

2008

–In der Matratzengruft, attempt at a description on words by Heinrich Heine, for solo tenor and ensemble



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